Ритуально-міфологічний субстрат у романі Ґ. Майрінка "Ґолем"

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dc.contributor.authorЯтченко, Лариса
dc.date.accessioned2019-01-15T09:30:12Z
dc.date.available2019-01-15T09:30:12Z
dc.date.issued2018
dc.description.abstractУ статті досліджено використання ритуально-міфологічного субстрату у контексті творення сюжету. Розглянуто імена персонажів роману "Ґолем" як такі, що репрезентують функції. Проаналізовано мотив андрогіна крізь призму міфів.uk_UA
dc.description.abstractThe article highlights the use of the ritual-mythological substrate in the context of plot creation. The novel centers on the life of Athanasius Pernath, a jeweler and art restorer who lives in the ghetto of Prague. His story is experienced by an anonymous narrator, who, during a visionary dream, assumes Pernath’s identity thirty years before. The novel is generally focused on Pernath’s own reflections and adventures; however, it also chronicles the lives, characters, and interactions of his friends and neighbors. The novel is also based on the Jewish legend about a Rabbi who created a live being known as a Golem out of clay and animated it with a Kabbalistic spell. The Golem is thought to be seen in Prague, which is why the dwellers of the old Jewish quarter are afraid of it. The tale is local, representing the ghetto’s own spirit and consciousness. The ritual-mythological substrate in the novel is introduced by meanings of characters’ names and by grouping characters into triangles. Grouping is not just a way to show a protagonist’s interaction with other characters, it is rather a reflection of Kabbalah beliefs in primary numbers. The meanings of characters’ names in the novel are considered as representing functions. However, it is concluded that not all meanings correspond with functions; on the contrary, they can contradict them. The motive of androgyny is also analyzed through the prism of Greek and Hebrew myths. The research is mainly based on the category of spiritual unity. Thus, hermaphroditism is an aspiration for initial integrity, which can be reached only after death. Consequently, the ritual-mythological substrate is traced throughout the whole novel as material for plot construction.en_US
dc.identifier.citationЯтченко Л. А. Ритуально-міфологічний субстрат у романі Ґ. Майрінка "Ґолем" / Ятченко Л. А. // Наукові записки НаУКМА. Літературознавство. - 2018. - Т. 1. - С. 143-147.uk_UA
dc.identifier.issn2618-0537
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/15017
dc.identifier.urihttps://doi.org/10.18523/2618-0537.2018.143-147
dc.language.isoukuk_UA
dc.relation.sourceНаукові записки НаУКМА. Літературознавство. - 2018. - Т. 1uk_UA
dc.statusfirst publisheduk_UA
dc.subjectміфuk_UA
dc.subjectім’яuk_UA
dc.subjectандрогінuk_UA
dc.subjectГермафродитuk_UA
dc.subjectреміфологізований романuk_UA
dc.subjectО. Фрейденбергuk_UA
dc.subjectстаттяuk_UA
dc.subjectmythen_US
dc.subjectnameen_US
dc.subjectandrogynyen_US
dc.subjectHermaphroditeen_US
dc.subjectremythologized novelen_US
dc.subjectO. Freidenbergen_US
dc.subjectritualmythological substrateen_US
dc.titleРитуально-міфологічний субстрат у романі Ґ. Майрінка "Ґолем"uk_UA
dc.title.alternativeRitual-Mythological Substrate in G. Meyrink's Novel "The Golem"en_US
dc.typeArticleuk_UA
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