Візуалізації пандемій у культурі Заходу

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dc.contributor.authorЗадорожна, Оксана
dc.date.accessioned2020-12-07T20:15:04Z
dc.date.available2020-12-07T20:15:04Z
dc.date.issued2020
dc.description.abstractЕпідемії та пов’язане з ними відчуття близькості смерті в усі часи викликали сильні емоції, які втілювалися в мистецтві. Переоцінити вплив пандемій на різноманітні сфери діяльності суспільства важко: смертоносні хвороби не лише спустошували міста й цілі регіони, а й створювали умови для появи нових наук, течій у мистецтві, архітектурних, художніх та літературних творів. У цій статті проаналізовано візуальні образи, пов’язані з темою пандемії, а також розглянуто смисли, закладені авторами у твори, присвячені масовим пошестям.uk_UA
dc.description.abstractEpidemics and the associated feeling of closeness to death at all times caused strong emotions which were embodied in art. It is difficult to overestimate the impact of pandemics on different spheres of society. Deadly diseases not only devastated cities and entire regions but also created the conditions for the appearance of new sciences, art movements, architectural, artistic and literary works. This article analyzes visual images related to the theme of the pandemic and examines the meanings behind the works devoted to mass epidemics. The plague epidemic reinforced the themes of death, suffering, cruelty and madness in European art. In the era of the "Black Death", there are allegorical plots "Dance of Death", "Triumph of Death", "Three Living and Three Dead", which later became a separate synthetic genre. Another echo of the plague is the plot "Death, which plays chess", common in the painting of Northern Europe. So in the 14th century the plots of macabre became popular. Macabre is the dance of death, a medieval custom that consisted of a ceremony that took place in a cemetery and was based on an imaginary dance of the dead. Now humankind faces something that is just partly dependent on it, something unusual. Each of these kinds of clashes allows us to stop the automatism of our actions, words, things, rituals, to pause and see the emptiness where it was not yet possible to move. Not only geographically or temporally but also existentially. In other words, the epidemic is an extremely rare cause for reflection, which hints that we are not alone in the world and not everything in the world depends on us. This pandemic is different from war, which is the work of human hands. What kind of art will the coronavirus become? And will it? For now, it looks like a minimalist: it works not with a thing or concept, but with the absence of a thing. These works bring us closer to our ancestors and show that we still are children of nature and depend on its whims, despite all the achievements of science and medicine. Moreover, our fears must be consistent with the current pandemic, because the coronavirus in scale and lethality is significantly different from the plague, cholera or Spanish flu.en_US
dc.identifier.citationЗадорожна О. Візуалізації пандемій у культурі Заходу / Оксана Задорожна // Наукові записки НаУКМА. Історія і теорія культури. - 2020. - Т. 3. - С. 90-96.uk_UA
dc.identifier.issn2617-8907
dc.identifier.urihttps://doi.org/10.18523/2617-8907.2020.3.90-96
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/19039
dc.language.isoukuk_UA
dc.relation.sourceНаукові записки НаУКМА. Історія і теорія культури.uk_UA
dc.statusfirst publisheduk_UA
dc.subjectсмертьuk_UA
dc.subjectчумаuk_UA
dc.subjectєвропейське мистецтвоuk_UA
dc.subjectтанець смертіuk_UA
dc.subjectкоронавірусuk_UA
dc.subjectCOVID-19uk_UA
dc.subjectстаттяuk_UA
dc.subjectdeathen_US
dc.subjectplagueen_US
dc.subjectEuropean arten_US
dc.subjectDance of Deathen_US
dc.subjectcoronavirusen_US
dc.subjectCOVID-19en_US
dc.titleВізуалізації пандемій у культурі Заходуuk_UA
dc.title.alternativeVisualization Of Pandemics In Western Cultureen_US
dc.typeArticleuk_UA
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