Стадія "ламання" М. Рильського (1929-1934): спроба дискурсивного аналізу
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Date
1998
Authors
Бондар, Андрій
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Abstract
Максим Рильський належить до когорти поетів, які волею культурно-історичних обставин пройшли вельми складний шлях: йдеться про українських класиків, які починали з естетичних орієнтацій на високу європейську літературну традицію, пережили індивідуальну драму, умовно кажучи, “стадію ламання” кінця 20-х — початку 30-х років, що відбилося у їхніх текстах, а наприкінці творчого життя ніби відродилися, переживши так зване “третє цвітіння”.
Maxym Rylsky’s poetry of 1929—34 is of great interest to researchers who try to understand the poet as an integrity and to represent him as a textual corpus. Socrealistic period of Rylsky’s poetry, that began commenced at the end of 20-s, signifies beginning of socially perverted, masochist stage. Thus an effort of discursive analysis is extremely important. The purpose of it is to show how Rylsky’s poetic voice had been changing its tone being influenced by new sociocultural and political situation, and what kind of relationship exists between the discourse of power, poetical one and the rules of textcreation. New motives appear in Rylsky’s texts: a collectivist participation in the “common deal”, marginalization of poetic creativity and its complete desacralization, Soviet optimism. Facts of socialist reality that promote creation of new Soviet mythology come into his poetry. Writing subject is changed, transformed into a medium of ideas and concepts already created by communist ideology. “Neoclassic” and harmonic Rylsky alters his poetic tone to avant-gardist. Soon, the last one replaced in socrealist poetic in transformed condition.
Maxym Rylsky’s poetry of 1929—34 is of great interest to researchers who try to understand the poet as an integrity and to represent him as a textual corpus. Socrealistic period of Rylsky’s poetry, that began commenced at the end of 20-s, signifies beginning of socially perverted, masochist stage. Thus an effort of discursive analysis is extremely important. The purpose of it is to show how Rylsky’s poetic voice had been changing its tone being influenced by new sociocultural and political situation, and what kind of relationship exists between the discourse of power, poetical one and the rules of textcreation. New motives appear in Rylsky’s texts: a collectivist participation in the “common deal”, marginalization of poetic creativity and its complete desacralization, Soviet optimism. Facts of socialist reality that promote creation of new Soviet mythology come into his poetry. Writing subject is changed, transformed into a medium of ideas and concepts already created by communist ideology. “Neoclassic” and harmonic Rylsky alters his poetic tone to avant-gardist. Soon, the last one replaced in socrealist poetic in transformed condition.
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Keywords
Максим Рильський, дискурсивний аналіз, культурно-історичні обставини, український класик
Citation
Бондар Андрій. Стадія "ламання" М. Рильського (1929-1934) : спроба дискурсивного аналізу / А. Бондар // Наукові записки НаУКМА. - 1998. - Т. 4 : Філологія. - С. 60-63.