Lesia Ukrainka's Crimean Cycles: A Poetic Dialogue with Adam Mickiewicz

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dc.contributor.authorSeverina, Yelena
dc.date.accessioned2022-01-04T18:55:35Z
dc.date.available2022-01-04T18:55:35Z
dc.date.issued2021
dc.description.abstractThis paper examines Lesia Ukrainka’s two lyrical cycles about Crimea, Krymski spohady and Krymski vidhuky, as examples of a poetic dialogue with Adam Mickiewicz’s Sonety krymskie. I begin my analysis by highlighting the different sensibilities of Mickiewicz’s Sonety krymskie and Lesia Ukrainka’s Krymski spohady, and underscore their formal and thematic peculiarities. The paper continues with an examination of Lesia Ukrainka’s second cycle, Krymski vidhuky, as an experiment in drama – a genre that is absent from her first cycle – before situating a dramatic scene, "Ifiheniia v Tavridi," this cycle’s only text about Crimea’s Hellenic history, within the cultural contexts of Lesia Ukrainka’s oeuvre. In doing so, I argue that Iphigenia’s lament echoes the voice of an exiled poet from Mickiewicz’s sonnets and conclude my analysis by probing reasons behind Lesia Ukrainka’s choice of a Greek (not Tatar) heroine.uk_UA
dc.identifier.citationSeverina Y. Lesia Ukrainka's Crimean Cycles: A Poetic Dialogue with Adam Mickiewicz / Yelena Severina // Kyiv-Mohyla Humanities Journal. - 2021. - № 8. - P. 69-83. - https://doi.org/10.18523/kmhj249187.2021-8.69-83uk_UA
dc.identifier.issn2313-4895
dc.identifier.urihttps://doi.org/10.18523/kmhj249187.2021-8.69-83
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/22124
dc.language.isoenuk_UA
dc.relation.sourceKyiv-Mohyla Humanities Journaluk_UA
dc.statusfirst publisheduk_UA
dc.subjectLesia Ukrainkauk_UA
dc.subjectAdam Mickiewiczuk_UA
dc.subjectCrimeauk_UA
dc.subjectexileuk_UA
dc.subjectpoetic cycleuk_UA
dc.subjectlesedramauk_UA
dc.subjectIphigeniauk_UA
dc.subjectarticleuk_UA
dc.titleLesia Ukrainka's Crimean Cycles: A Poetic Dialogue with Adam Mickiewiczuk_UA
dc.typeArticleuk_UA
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No. 8 : Lesia Ukrainka’s Global Artistic and Philosophical Universe: Past and Present