Том 7
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Item Cultural Specificity of the European Novel on the Periphery: Sophie von La Roche and Pietro Chiari(Національний університет "Києво-Могилянська академія", 2024) Danchenko, MariyaThe article explores the eighteenth-century novels of Germany and Italy defined as the countries of European periphery, as cultural and stylistic phenomenon. The study focuses on the difference in perception and reflection of English and French novelistic tradition, expressed in the novelistic tropes, clichés and plots, which were adapted by German and Italian authors from English and French novels. The objective of the research is to highlight the specificity of the novel of European periphery as cultural phenomenon, distinct and distant from the headline stylistic and cultural trends. The new themes and ideological points risen by German and Italian authors, who acted as the outsiders of the mainstream European literature, are also investigated. The research revolves around the study of one of the first German psychological novels, "Geschichte des Fräuleins von Sternheim" ("The History of Lady Sophia Sternheim") (1771) by Sophie von La Roche, and Pietro Chiari’s "La Filosofessa Italiana" ("The Italian Philosophess") (1753), the first attempt in the genre of Italian novel, both investigated as brought in the context of the fundamental monuments of European literature of the 18th century.Item Ukrainian Cultural Front: The "Cancel Culture" Discourse(Національний університет "Києво-Могилянська академія", 2024) Humeniuk, TetyanaThe essence of the phenomenon of "cancel culture" and the reasons for its relevance in contemporary cultural discourse have been uncovered. Its impact on the protection and preservation of national identity, politics, and intercultural relations has been characterized, and the potential risks of its spread have been considered. The practice of "cancel culture" elicits ambivalent attitudes – it is seen as an opportunity to draw attention to unfair actions, discrimination, and to encourage the protection of democratic values and human rights. However, "cancel culture" also acquires a negative interpretation as posing a potential threat to freedom of speech and constructive criticism. Achieving open dialogue and free expression of different opinions is crucial here. Discussions on "cancel culture" during the war reflect tendencies towards resistance and the protection of national self-identification. It’s not just about internal processes of combating Russia’s cultural expansion but also about efforts to represent Ukraine on the international stage. Sometimes, proponents of Russian culture try to dissociate it from imperial ambitions and contemporary war crimes. However, certain European countries are gradually beginning to reassess their stance on these issues, showing increasing solidarity with Ukraine by boycotting Russian cultural events and critically assessing its real impact in the contemporary world. Ukrainian cultural and art institutions, amidst the war, have lost a significant amount of talented youth who left Ukraine, but they adapt their current capabilities to conduct various events to psychologically support Ukrainians. Cultural initiatives allow promoting Ukrainian culture globally and reflecting the true realities of the war. Cultural exchanges during festivals, exhibitions, biennales, musical and theatrical tours play a significant role, aiming to promote Ukrainian culture in the world: Ukrainian artists are participants in the Frankfurt Book Fair, as well as the Maltese Biennale, where the Ukrainian pavilion was opened for the project "From South to North" by artist A. Kakhidze. Such events create a platform for discussing issues of memory, history, and cultural connections at the international level.