195: Філологічні науки

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Ecphrasis, Archiseme, Rhythm, and Graphical Manner as the Tools to Model a Lyrical Self in M. Atwood's Poetry
(2017) Taranukha, Yelyzaveta
The article is a part of an ongoing project to establish Ukrainian-Canadian comparative literature studies. Grounded on the modern Canadian poetry, the paper defines the relations between the elements of poetic style and the models of lyrical self. The research hypothesizes a dependence between ecphrasis, rhythm, archisemes, and a lyrical self. The author depicts the main tendencies in M. Atwood’s poems, such as the use of ecphrasis, a creation of archisemes, the experiments on a genre, a graphical manner, and a rhythm, manifested itself as a musicality. It is stated that the theme of identity to a certain degree affects the types of lyrical self in M. Atwood’s creative work. Hereupon, the origin of lyrical self’s identity is considered as a self-reflective, and the genre diversity is outlined into two categories of poems: a "рoem-meditation" and a "рoem-sententia".