On Andrii Malyshko's "Second Birth"

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dc.contributor.authorMorenets, Volodymyr
dc.date.accessioned2018-09-06T10:50:34Z
dc.date.available2018-09-06T10:50:34Z
dc.date.issued2017
dc.description.abstractThe cultural policy of the USSR provided for the deliberate displacement of Ukrainian (like every other national language) to the naive provincial periphery of the “great art” of the mighty Soviet Union, supposedly possible solely in the sphere of the Russian language. The renewed Soviet ideologization of literature in the postwar years led to a sharp decline in the artistic level of all literary fields. But even against the background of this general artistic decline, the caricaturised burlesque and travesty-like artificiality of Andrii Malyshko’s (1912–1970) poetry of the time is impressive. Malyshko’s so-called “second birth” in his late period represents a rare in its purity instance, where we can observe an ontological conflict of language and ideology that a Ukrainian artist of the Soviet period resolves in favor of language. Malyshko created not provincial peripheral streams, but a strong artistic and philosophical alternative to the blind, technocratic, and miserable in its Russified nature, imperial reality.en_US
dc.identifier.citationMorenets V. On Andrii Malyshko's "Second Birth" / Volodymyr Morenets // Kyiv-Mohyla Humanities Journal. - 2017. - No. 4. - P. 101-111.en_US
dc.identifier.issn2313-4895
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/13768
dc.identifier.urihttps://dx.doi.org/10.18523/kmhj106721.2017-4.101-111
dc.language.isoenen_US
dc.relation.sourceKyiv-Mohyla Humanities Journal. - 2017. - No. 4en_US
dc.statusfirst publisheden_US
dc.subjectpoetryen_US
dc.subjectideologyen_US
dc.subjectfolkloreen_US
dc.subjectUkraineuk_UA
dc.subjectAndrii Malyshkoen_US
dc.subjectarticleen_US
dc.titleOn Andrii Malyshko's "Second Birth"en_US
dc.typeArticleen_US
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No. 4 : The 100th Anniversary of the Ukrainian Revolution (1917–1921)
Кафедра літературознавства імені Володимира Моренця